To the impartial observer, a testimony by an individual who belonged to a group allegedly targeted by the Nazis for extermination does not always sound absolutely convincing, but who would wish to insinuate that those who had such terrible experiences during the war are not telling the truth? In the eyes of the public, the Holocaust survivors have become sanctified, indubitable, and irreproachable. It is precisely in this respect that skepticism, criticism and scrutiny have become most important. This section deals with persons who were on the side of the alleged victims and who either confirmed or denied the claimed events – or sometimes both. What are these testimonies worth?
By Robert Faurisson ∙ April 1, 1989
One reason for skepticism about the famous diary attributed to Anne Frank is the existence of strikingly different samples of handwriting supposedly written by her within a two and a half year period. My first work about the Anne Frank diary was published in French in 1980. A translation of it appeared in the Summer…
By Jett Rucker ∙ November 12, 2012
That’s me. Holocaust-obsessed. I’ve been “following” (as one might a series of Tweets) the Holocaust since long before it even had its brand name. I’ve always had a slightly excessive interest in it, because I am of German descent and I have always lived among (classmates, friends, and, yes, even better than that) a large…
By Theodore J. O'Keefe ∙ December 1, 1988
The Institute for Historical Review has recently received copies of a transcript of a sworn interrogation of Simon Wiesenthal, which was conducted in 1948. The copies, certified as “true and correct,” were obtained from the National Archives in Washington, D.C. To our knowledge this transcript has never been published or cited, in whole or in…
By Arthur R. Butz ∙ December 1, 1986
The Survivor, by Jack Eisner. New York: Wm. Morrow, 1980, 320 pp., ISBN 0-688-03741-0. War and Love, directed by Moshe Mizrahi, screenplay by Abby Mann, produced by Jack Eisner, released by Cannon Group,1985. Running time 112 min. In late 1980 I was contacted by a Chicago TV station with a proposal that I appear to…
By Theodore J. O'Keefe ∙ October 1, 1986
Auschwitz: True Tales from a Grotesque Land by Sara Nomberg-Przytyk. Translated by Roslyn Hirsch. Edited by Eli Pfefferkorn and David H. Hirsch. Chapel Hill, NC and London: The University of North Carolina Press 1985, xii + 185 pp., ISBN 0-8078-4160-9. Auschwitz: True Tales from a Grotesque Land is a collection of stories garnered by Sara…
By Bradley R. Smith ∙ July 1, 1986
I have now seen the complete nine and one half hour documentary, Shoah, which purports to be “An Oral History of the Holocaust.” It was produced, directed, narrated and is now being promoted by Claude Lanzmann. From the newspapers I gather that Lanzmann is an assimilated French Jew who speaks neither Hebrew nor Yiddish. He…
By Robert Faurisson ∙ April 1, 1988
Shoah. Directed by Claude Lanzmann. Produced by Les Films Aleph, Historia Films with the French Ministry of Culture. Cinematographers: Dominique Chapuls, Jimmy Glasberg, William Lubehansky. Editors: Ziva Postec, Anna Ruiz. Running time: Part I, 4 hours, 33 minutes. Part II, 4 hours, 50 minutes. Shoah is a Hebrew word which means catastrophe. It has become…
By Theodore J. O'Keefe ∙ April 1, 1988
Shoah: An Oral History of the Holocaust. The Complete Text of the Film, by Claude Lanzmann. Preface by Simone de Beauvoir. Translated by A. Whitelaw and W. Byron. New York: Pantheon Books, 1985, xii + 200 pp. hb, $11.95, ISBN 0-394-55142-7. Since Shoah the movie rolled on for a seemingly interminable nine and a half…
By Mark Weber ∙ October 1, 1985
With the possible exceptions of Hitler and Himmler, no man has been so vilified in recent years as the personification of Nazi evil as Dr. Josef Mengele. The Mengele legend was the basis for two novels that Hollywood turned into popular movies: William Goldman's The Marathon Man and Ira Levin's The Boys From Brazil. In…
By Lou A. Rollins ∙ October 1, 1985
Elie Wiesel: Messenger to All Humanity by Robert McAfee Brown. Notre Dame: University of Notre Dame Press, 1983, 244pp, Pb, ISBN 0-268-00908-2. “Pushkin claims a beautiful lie is superior to a debasing truth. I don't agree: Truth alone elevates man, even when it hurts. The task of the writer is, after all, not to appease,…
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