On 8 May 1995, the British prime minister, John Major, referred to the end of World War II as the end of a thirty years’ war; in this, he was correct: both sides saw this war as an attempt to complete a task left undone at the close of the First World War – the show-down which ended European global domination. The Second World War was, however, the ultimate catastrophe of modern history, laying waste the heart and soul of Europe. Here you will find contributions about this conflict, its prelude, conduct, and personalities – excluding non-military Nazi personalities, which are covered under the entry “Third Reich Era.” Also covered are contributions dealing with war crimes (and lies about alleged war crimes) committed in the course of the conflict. This does not include the “Holocaust,” which has a separate entry (and is not a war crime in the strict sense).
By John Clive Ball ∙ January 15, 2015
Your browser does not support the video tag, but you can download the video here. During World War Two both German and Allied reconnaissance aircraft took countless air photos of places of tactical and strategic interest in Europe. These photos are prime evidence for the investigation of the Holocaust. Air photos of locations like Auschwitz,…
By Jett Rucker ∙ November 7, 2016
It’s come full circle. Legend, at least, has it that when a hyena has been mortally wounded, perhaps disemboweled, it uses its last ounces of strength to consume its own entrails. This is indeed the image on display today as the Holocaust-revenge industry impels Germany’s law enforcers to investigate rich American Jew Mark Zuckerberg, CEO…
By Jett Rucker ∙ July 15, 2016
A music teacher and would-be Green Party candidate in recent elections who lives in Alberta put up a five-minute video on YouTube that explains how, through the relentless promotion/enforcement of the Big Lie, she faced anti-German discrimination through her childhood and even, as any thoughtful child might do, confronted her parents about how they, immigrants…
By David Merlin ∙ April 21, 2016
Director Sara Bloomfield United States Holocaust Memorial Museum100 Raoul Wallenberg Place SWWashington, DC 20024-2126 Regarding- The Tragedy of the Nordhausen Camp Hospital Dear Director Bloomfield: I am writing regarding the horrible tragedy of the bombing of the Nordhausen Camp Hospital and the exploitation of the tragedy…
By Ezra Macvie ∙ March 14, 2016
The Normandy Diary of Marie-Louise Osmont. George L. Newman (translator). Random House, New York, 1994, 113 pp. In 1940, the widow Marie-Louise Osmont owned and lived in a manoir in Périers-sur-le-Dan in Normandy, France, and experienced the invasion and occupation by Germany’s Wehrmacht up-close and personally: troops encamped on her grounds and officers were bivouacked…
By Carlo Mattogno ∙ January 2, 2012
Smith’s Report no. 185 of October 2011 published an article by Arthur Butz entitled “Two Cutting-Edge Works of Holocaust Revisionism“ (pp. 3-7).[i] It was a review of Samuel Crowell’s recent book The Gas Chamber of Sherlock Holmes, and Other Writings on the Holocaust, Revisionism, and Historical Understanding (Nine-Banded Books, Charleston, WV, 2011), and of my…
By Bradley R. Smith ∙ July 24, 2013
An Israeli film maker who is admittedly "obsessed" with the Holocaust is finally putting to rest the urban myth that the Germans used the remains of Jewish bodies to create bars of soap. “Soaps,” a new film by director Eyal Ballas, 43, finds that the soap myth originated in World War I, when Germans were…
By Jett Rucker ∙ November 25, 2015
We in the West, particularly in the English-speaking areas most-exposed to the maunderings of Tom Brokaw,[1] have heard much about “the greatest generation,” the cohort of Americans (and perhaps British, French and maybe even Soviet, in about that order) who grew up during the Great Depression and went on (at least, some of them, mostly…
By Bradley R. Smith ∙ March 1, 1999
Samuel Crowell's 'The Gas Chamber of Sherlock Holmes' is available for purchase here The game’s afoot! Sherlock Holmes has joined CODOH’s battle to spread revisionism to the campus, to media, and to an elite of authors, intellectuals, and activists who are the most likely to be receptive to a bold, brilliant new synthesis of the…
By Richard A. Widmann ∙ July 1, 1998
A favorite tactic of Holocaust cultists has been to exploit the power of images—photographic and “artistic”—to convey and suggest the horrors, real or imaginary, of the Holocaust. Oftentimes our opponents have resorted to miscaptioned or misleading photos to, in the words of the United States Holocaust Memorial Museum (USHMM), “counter the hate-mongers and revisionists.” So…
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