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By William Halvorsen ∙ August 1, 2000
While America Watches: Televising the Holocaust, Jeffrey Shandler, Oxford UP, 1999 Everyone knows at this point that the Holocaust has been promoted to such an extent that one can hardly turn around without running into Holocaust imagery of some kind. Any time there is a massacre anywhere, you can bet that some talking head will…
By Richard A. Widmann ∙ August 1, 2000
Photo Fakery: The History and Techniques of Photographic Deception and Manipulation, by Dino A. Brugioni. Dulles, Virginia: Brassey's, 1999. Richard A. Widmann Dino Brugioni begins his study of photo fakery with a brief discussion of Arthur C. Lundahl, the first director of the CIA's National Photographic Interpretation Center. Lundahl always cautioned that the discovery of…
By Daniel D. Desjardins ∙ January 1, 2000
Mr. Death: The Rise and Fall of Fred A. Leuchter Jr., a film by Errol Morris. With its premier at the Toronto Film Festival in 1999, presaged by a degree of consternation and controversy,[1] Mr. Death: The Rise and Fall of Fred A. Leuchter Jr., is now circulating among various independent film houses. While the…
By Ernest Sommers ∙ November 1, 1999
In Defense of History, by Richard J. Evans New York: W. W. Norton & Co., 1999 The latest fad in academia is postmodernism, which is a term meant to describe an approach, usually in literature studies, in which texts are analyzed in a highly interactive and indeterminate manner. Confined to the field of literature, postmodernism…
By William Halvorsen ∙ November 1, 1999
Peter Novick, The Holocaust in American Life Some years ago, a leading Holocaust historian, Deborah Dwork spoke at a memorial to “Crystal Night” in British Columbia, the night in November 1938 when Nazi mobs, inspired by the murder of a German foreign official by a Polish Jew, destroyed hundreds of Jewish stores and shops. According…
By Richard A. Widmann ∙ January 1, 1999
Auschwitz: The Final Count, edited by Vivian Bird. The Barnes Review, Washington, D.C.. 1999. Soft cover. 112 pages. Notes. $12.95. Vivian Bird's latest effort is an anthology of essays dealing with what he describes as the “true story” of the Auschwitz concentration camp. The title of this work as well as its recent promotions suggest…
By Jane Praeger ∙ August 11, 1998
This piece illustrates something with startling clarity, a something that is often lost in the vulgar and vicious rhetoric which any hint of holocaust revisionism seems to attract. Which is that the attackers aren't just being nasty, they are responding as any human might if their cultural legacy were one of more than 2,000 years…
By Michael A. Hoffman ∙ July 30, 1998
Saving Private Ryan, directed by Steven Spielberg Let's begin with what this latest entry in the Spielbergian canon is not: it is not a “holocaust” or gas chamber flick. Saving Private Ryan is about combat on the Western front during World War Two and the honor and compassion of the U.S. government; overt Jewish themes…
By Arthur R. Butz ∙ May 5, 1998
Peter Sagal's play Denial, being performed during April and May 1998 in Highland Park, Illinois, centers on Bernard Cooper, an engineering professor (not electrical) who has written a Holocaust revisionist book. The Chicago Tribune (23 April 1998, sec. 5, p. 4), in a review of the play said it is “based in part on Holocaust…
By Stephen J. Sniegoski ∙ April 13, 1998
Nuremberg: The Last Battle by David Irving. Focal Point Publications, 1996. 377 + x pp., £20.00. Stephen J. Sniegoski As stated in the title of by David Irving's book, the Nuremberg Trial was the last battle of World War II in Europe. Nazi Germany had already been physically destroyed by the superior military power of…
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