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  • Notebook

    The Stanford Review is an independent conservative student newspaper. Its editor, Mike Toth, writes that there is little interest in the discussion of ideas among Stanford students. He ridicules the intellectual content of the Stanford Daily, the primary student newspaper at Stanford, by noting that the “big issue on campus now [at the Daily] is…

  • Revisionist Activities

    Jim Rizoli has created another mesmerizing documentary of “Extraordinary Revisionists.” This one features the “revisionist patriarch” Prof. em. Dr. Robert Faurisson in an almost 2-hour Skype interview (captured from the screen with a camera, with Faurisson’s sound over the phone). The interview summarizes Faurisson’s revisionist ordeal from his feelings during and after the war, the…

  • Revisionist Activities

    Jim Rizoli has created two more documentaries of “Extraordinary Revisionists.” They feature “revisionist powerhouse” Germar Rudolf (Toben’s words) in an interview in early November lasting some two hours, which was conducted in his home in Pennsylvania (http://youtu.be/7lQIn-i-wL4), and Dr. Fredrick Toben from Australia in a Skype interview (some 100 min; http://youtu.be/2ttSY5qpZWk) Rizolie also interview John…

  • Letters

    I’m worried about Carlos Porter. I’ve been reviewing your coverage in Smith's Report (particularly your issue # 48) of his problems with the German government over his revisionist writings. Because Porter lives in Belgium, he apparently believes the German court cannot reach him. If Eichmann could be kidnapped by Israelis while living in Argentina, Porter…

  • CODOH Takes Aim at the Ivy League with a Blockbuster Debunking of the Holocaust Museum

    A fake Hitler quote which has the Fuehrer ordering the extermination of Polish civilians. A non-existent Hitler order to exterminate the Jews. Misrepresentation of installations designed to save lives as gas chambers for killing Jews. These and many more falsifications of historical fact are on display at the U.S. Holocaust Memorial Museum’s permanent exhibit as…